A traditional triumph at the Thameside
By Neil Speight 6th Dec 2021
FOR the past 17 years, with the exception of last year's Covid-caused cancellation, it has been my joy and privilege as a local journalist to attend the annual Thameside Theatre pantomime.
Today, if the worst case scenario comes to pass, I may have seen my last.
I can only say that would be a huge shame and a travesty on the integrity of those decision-makers within Thurrock Council that want to close this community theatre.
That's the politics of tonight (Sunday, 5 December) done and dusted – hopefully the weeks to come will see a plan brought to fruition to save the theatre and I will be back next year for one of the highlights of the borough year.
As a reviewer I have to be honest and say that the Thameside is never going to be at the top of the national tree in terms of production, scale, star-names and theatrical excellence. Resources don't allow it. Pantos at the Thameside are what they are, and I will say it bluntly – they are bloody good fun and highly entertaining.
Whether you are four, 14, 40 or fortified by a pension book you will leave a Thameside panto with a smile on your face and a skip in your step.
This year's panto – dragged together at the eleventh hour and in spite of adverse circumstances - sits high among the pantheon of previous great performances.
Cinderella is a roller-coaster of traditional pantomime fun from start to finish – and the sheer joy it brings to all who see it was exemplified by two people sat close to me. One was a tot of about four or five who bounced and giggled in her seat throughout. Her enthusiasm for the show was unbridled. Next to her was her nan, who had a hankie in her hand throughout to wipe away the tears of joy.
This is a panto for all ages.
The stars of the show are undoubtedly ugly sisters Luke Coldham and Josh Handley. Local lad Luke is rapidly writing his own legend as an iconic Thameside figure. He's simply a cracking dame and he has huge rapport with the audience which he knows so well. And this year he shares the comedic role with Josh Handley and it's quite simply double the fun.
They are a joyous pair to behold.
For those who follow such things, this Polka Dot Pantos version of Cinderella starts with the surprise appearance of 'Fairy Flustered' played with great enthusiasm throughout by Jasmine McIvor, who redeems her fairy skills throughout the production under the guidance of 'Fairy Superior', Jess Herring – clearly no stranger to belting out a tune and enchanting her audiences.
Not only do we get two dames - we get two fairies!!
In quick succession we meet Cinderella, who is extremely well played by the delightful Katie Brennan and her best friend and unrequited secret love Buttons, played with character, cheek and pathos by John Oakes, who has more than a little of the magic of Norman Wisdom flowing through his veins.
After our first comedic encounter with sisters Elsa and Anna Hardup we speed on to meet Prince Charming, Alexander Emery, and Dandini, Jordan Hammond, and then the story unfolds.
I must add in a little personal note that brought a tear to my eye. The anthem for the cast is 'Together We'll Be Okay', the signature show tune of Cannon and Ball, and I couldn't help thinking of little Bobby Ball who passed away after contracting Covid last year. It was an entirely appropriate tune, signifying the best there is in traditional British showbiz on the boards. Bobby would have loved Thurrock's show.
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